Panel Figurative Paintings

Lively scene in the kitchen. Northern School. Oil on parquet panel, 18th century or earlier. Old restoration of the panel. Painting in good general condition. 19th century frame in w...

Dan Cohen's "Envoy to the Djinn Queen" is an original, handmade oil painting that depicts a supernatural tiger and cubs with a nude female whispering to the tiger. The piece is frame...

3rd Version's "Just One Lick" is an oil painting depicting a boy with a mask licking an ice cream cone and carrying a bird house scepter. This piece is framed and ready to hang. Ar...

Acrylic, oil & varnish on marouflaged paper with wooden panel Sylvia Brotons is a French artist born in 1947 who lives and works who lives and works in Paris, France. Sylvia is self...

Acrylic, oil & varnish on marouflaged paper with wooden panel Sylvia Brotons is a French artist born in 1947 who lives and works who lives and works in Paris, France. Sylvia is self...

3rd Version's "Childish Problems" is an oil painting depicting a child with a mask and a box including a pink flamingo, blue snake and an elephant. Artist Statement: I am an artist ...

Robin Hextrum's "Hercules Gets a Makeover" is an original, handmade oil painting that depicts a marble Hercules statue with birds, flowers and and squi...

3rd Version's "Everybody Wants a Piece" is an oil painting depicting a boy with a mask riding a horned bird. This piece is framed and ready to hang. Artist Statement: I am an artis...

Shelli Langdale's "Dissolutioin" is an original, handmade oil painting that depicts a white horse in a green field with a red balloon hovering on the ground. This piece is unframed y...

Presenting Mary Carroll's "Delirium," a 2024 original that showcases a masterful use of acrylic on a 30 x 24-inch panel. This artwork captures a deeply personal moment—a woman adorni...

F. CLEVEROT Captain 1898 Oil on panel 18 x 14 inches Framed: 28 x 24 inches Hand signed lower right recto

"Last Civil War Veteran" is an oil painting on panel made by Larry Rivers in 1961. The artwork size is 9 1/2 x 7 inches. The framed size is 12 3/4 x 10 1/4 x 1 1/2 inches. The work i...

Venture into the wild beauty of the Southwest with Lindsey Kustusch's "Summer in the High Desert," an original 2023 oil painting on a 30 x 60 x 1.50-inch wood panel. This expansive p...

Lindsey Kustusch's "The Amur Leopard" is an exquisite handmade original oil on wood panel artwork, with dimensions of 20 x 40 x 1.50 inches. Produced in 2023, this primary market pie...

Moses Strikes Water from the Rock Dutch school, XVII century. Workshop of Jacob de Wet (Haarlem, 1610-1675). Technique: Oil on oak wood panel, composed of 3 horizontal panels. In this evocative work, Moses stands in a cave, gathering the Israelites. There was no water to drink or for their cattle. The people were discontented in the desert. But Moses and Aaron listened to the voice of God. With Aaron’s staff, Moses struck the rock, and water gushed forth abundantly, quenching their thirst. Jacob de Wet’s workshop specializes in subjects from the Old and New Testaments. The recognizable rectangular format, simple compositions, and clear narratives define his style. The interplay of light and shadow, reminiscent of Rembrandt, adds timeless allure. The characters’ costumes, with their large hats and turbans...

Lindsey Kustusch's "The Sumatran Tiger" is a stunning handmade original oil on wood panel artwork, with dimensions of 30 x 30 x 1.50 inches. Created in 2023, this piece stands as a p...

"The Young Artist" is an oil on panel painting made in 1926 by Grant Wood. The work is signed lower right, "Grant Wood". The painting size is 11 x 14 x 1 inches. The framed size is 2...

Lindsey Kustusch's "The Ravens of Ocean Beach" is a powerful handmade original oil on wood panel artwork, spanning an impressive 36 x 36 x 1.50 inches. Created in the year 2023, this...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

David van der Linden 'When I live my dream'' 60 x 70 cm (Framed 70x80 cm, frame is included in price) Oil on wood panel David van der Linden is a...

This piece depicts famous British actress and model Audrey Hepburn. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted houndstooth pattern in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Hepburn stands out exceptionally, as the GIVENCHY logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower left and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

On one hot June day, a beautiful Ethiopian girl was playing in Monahov's studio with a sparkling glass prism, watching objects refracted in the room and outside the window.. and at s...

Malibu Dawn Patrol is a figurative artwork featuring a male surfer catching a wave. It is a mixed media painting. Artwork is 31.5 x 31.5. This is part of the latest series by Ha...

Sacred Conversation: Madonna with child with St. John with idealized landscape background with mountains. Early XVI century. Oil on wooden panel of Venetian conifers. Marco Bello, attributed. (Venezia, 1470 - 1523, Udine), pupil and follower of Giovanni Bellini. Venetian school. Madonna with child with St. John with idealized landscape background with mountains. Dimentions: 57cm x 68cm x 6cm Beautiful late Renaissance frame...

This piece titled "The Pursuit" is an original piece by Toni Hamel and is made from oil and acrylic on panel . This piece measures 12”h x 12”. Born (1961) in Italy. Lives and works...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

Signed oil on panel portrait circa 1890 by French Romantic painter Gustave Jean Jacquet. The work depicts a young redheaded woman wearing a red velvet jacket lined with white fur. On her head she is wearing an Easter bonnet trimmed with leaves. Signature: Signed lower right Dimensions: Framed: 14"x11.5" Unframed: 10"x7.5" Provenance: Baron Fine Art...

This piece titled "Tomorrow is Hope" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 28"...

This piece depicts famous Jackie Kennedy noted for her style and elegance. Celebrating the icons from the Golden Era with expressive and bold colors by capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Mars hand-painted circled quilt patterns in the background with clippings from magazines dating back to this era and incorporates messages from those times throughout the artwork. Creating the perfect backdrop for his statement piece, Jackie stands out exceptionally, as the Miss Dior logo is draped across adding an extra character of definition. Mars then layers the entire painting in epoxy resin, so the thickness of the piece pops dramatically. Finishing off the edges of the wood panel with newspaper articles and advertisements from an array of vintage magazines collected over the years. This is a one-of-a-kind piece executed on wood panel and comes ready to be displayed with hanging wire on verso, signed by the artist lower right and on verso. Art measures 36 x 24 inches Robert Mars was born in 1969 and is a graduate of Parsons School of Design in New York. At a young age, between 7 and 8 years old, he was drawn to muscle cars, custom vans, superheroes, and other icons that were relevant as a child. This idea of icons has been an obsession within his life and has continued into his adult life and throughout his artistic career, but the imagery has been refined over time. With the use of graphic compositions, glossy textures, and rich colors Mars provided the ultimate medium in which to explore his fascination stemming from the Golden Age of American popular culture and the icons of the 1950’s and 60’s. Drawing inspiration from the near-mythical fame that surrounded celebrities such as Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn, Elvis Presley, and many others, before the instant and all-encompassing presence of the internet, Mars’ daring approach creates paintings with a nostalgic yet innovative vintage feel. Employing concepts rooted in abstract expressionism, Mars has expanded on his body of work in the last years to abstract compositions, finding a balance between chaos and control by precisely cutting the painted vintage newspaper into predetermined patterns with multicolored paint layers of loose and dynamic brushstrokes in order to bridge to the events of the past and anchoring each of his artwork in a particular time of history. Robert Mars taps into the feelings that emanate from his paintings which vacillate between memory and desire. The taste of nostalgia pulls the viewers towards the iconic stars and the consumerist historical subject material of Mars’ works. Mars’ sources are the very core of these dreams. Photographs of stars like Bruce Springsteen, logos of products like Coca-Cola and TIFFANY & CO., and vintage ephemera are layered beautifully with news stories of seminal events; from the death of JFK to the 1969 moonwalk. By capturing these moments in history, his paintings serve as vehicles for bringing the American brand to the world. Based on traditional quilt patterns from American history, the mix of handcraft, and the meditation of...

Some time ago Evgeniy Monahov chatted with a good friend about which of the Hermitage Leonardos he like best - the Benois Madonna or the Litta Madonna....

This piece titled "Won't Take the Easy Road" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. The dimensions a...

In "Femme 11," Haleh Mashian combines various materials, like shattered ceramic, to create a striking portrayal of a confident woman. Her direct gaze challenges viewers, while her po...

"Navajo Camp" is an oil on panel painting by Gerard Curtis Delano. The painting is signed lower left "Delano". The framed piece measures 31 x 36 3/4 x 1 7/8 inches. Delano was a pai...

Adriaen van Ostade (follower of) A Women Dancing to the Music from a Violin oil on oak panel panel size 10.23 x 15.35 inches (26 x 39 cm) frame 15.74 x 21.25 inches (40 x 54 cm) f...

The painting is signed and dated 1872 in Algiers Description: Ferdinand Victor Léon Roybet (1840-1920) was a French painter renowned for...

LUCIEN BOULIER "NUDE WITH RED HAIR" OIL ON PANEL, SIGNED FRANCE, C.1930 26 X 20 INCHES Lucien Boulier 1882-1963 Lucian Boulier was born Verdun...

JANE MAXWELL "Sexy Skier Diptych" (2 Panels) Mixed Media with Resin on Panel 58" x 27" each 58" x 54" Overall Jane Maxwell’s artwork approaches the female body with an affectionate and celebratory feminist perspective. Extending her focus on female empowerment and fashion to swimwear, Maxwell’s silhouettes emerge from the dimensional, textural, backgrounds clad in the vestiges of paper ephemera. Maintaining texture through layering and building up the surface, the enigmatic quality of the works is reiterated by Maxwell’s use of ads and billboard materials that reveal words and phrases that tease us with alluring allusions. The anonymous figures have a definitive flair and attitude, keeping us at a distance as they swim and sunbathe, while pulling us further into their multi-dimensional narratives. Jane Maxwell's current work largely focuses on women, body image and the feminine ideal. Her collages are deeply layered works, combining color, texture and text that surround and become the female figure. Maxwell's artistic voice grew out of a passion for vintage materials, modern fashion and design - mingled with a deep fascination for pop culture and female icons. In the late 1990's she studied mixed media at the School of the Museum of Fine Arts in Boston and at the Decordova Museum School in Lincoln, Massachusetts. She graduated with a BA in Literature from Middlebury College...

This piece titled "Go Your Own Way" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 34"h...

Susan McDonnell's "Blue Jay," created in 2021, is a masterful oil on panel that captures the vibrant essence and lively demeanor of its avian subject. Measuri...

Still life with lemons, cruet and teaspoon is one of the best works by the artist Marco Fariello. It is made on wood panel, painted in oil in 2021. The subject of the work is the re...

Translated title: "Figure" Acrylic paint on wood panel.

"Casting", painted by the Spanish artist Goyo Domínguez in 1995, is a romantic, colorful picture that smoothly joins the figurative and abstract worlds. "Casting" was painted with a...

This painting by Jenness Cortez is an homage to artist Édouard Manet (1832-1883) and several of his paintings, including: “A Bar at the Folies Bergère,”...

Anja Van Herle For Your Eyes Only (Pink) Acrylic and Swarovski Crystals on Panel 35 inches x 28 inches Born in Belgium in 1969, Anja Van Herle combines a European sense of high fash...

Red Houses No. 1 is a unique oil on laminated wood painting from the Norway series by Spanish contemporary artist Calo Carratalá, dimensions are 46 × 74 cm (18.1 × 29.1 in). The art...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful Architectural Italian Landscape. Porto Azzurro, 1964 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27" x W 19" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

Zack Zdrale's (US based) "Excise" is an original, handmade oil painting that depicts one man pulling some clouded entity from another man with great effort and physical strain. B...

Very fine 17th century Flemish old master "Allegory of the four elements" attributed to Frans Francken the Younger The figures are the Nereid Amphitrite, holding a coral and represe...

Presenting "Valley View" by Kirsten Savage, an original handmade oil painting. Created in 2023, this artwork measures 48 x 48 inches with a depth of 2 inches (121.92 x 121.92 x 5.08 cm). The painting beautifully captures the scenic beauty of the San Luis Valley in Southern Colorado, specifically from the perspective of the foothills looking down into the valley. In the painting, an outcrop resembling a spine stretches diagonally along the right side, adding a dynamic element to the composition. The spine is rendered in deep shades of purple and rose garnet...

Genevieve Hamel Total Attraction Oil on Wood Panel Year: 2022 Size: 36x24x1.625in Signed by hand COA provided Ref.: 924802-1395 A bouquet of flowers interpreted with heavy palette k...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...

This piece titled "Fuzzy Slippers" is an original piece by Branche Coverdale and is made from acrylic gouache on wood panel. This piece measures 36"h...

Self Portrait at 43

Paul Maitland (British, 1863 – 1909) Nannies in Green Park, before Piccadilly, London Oil on panel 7.5/8 x 11.3/8 in. (19.4 x 29 cm.) . In a gilded woo...

Shelli Langdale's "Silent Echoes," created in 2023, vividly depicts a woman with flowing dark red hair as she shares a moment with a white horse, set against a striking blue sky scat...

Shelli Langdale's "Languishing" is an original, handmade oil painting that depicts a white horse fading into an abstracted quilt pattern. Artist Bio: Shelli Langdale is an oil painter living and painting in Chattanooga, TN. U.S.A. She has a Bachelor of Science in Computer Science from the University of Alabama...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Signora, Vestita Di Giallo, 1969 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 38" x W 30", (Panel) H 28" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...